Creative Direction
Concept, experience narrative, and brand systems — from first idea to final decision.


I take an event from the first idea to a show that's ready to run — the design, the direction, and every decision in between.
Creative vision, held together by decision and discipline — from the first idea to a show that's ready to run.
Concept, experience narrative, and brand systems — from first idea to final decision.
The look, feel, and flow of the whole experience: space, stage, scenography, and story.
Run of show, stage direction, and every creative call — delivered show-ready, then handed to the production team.
Modular programs that adapt across formats and venues without losing consistency.
Booths and exhibition systems that stay consistent across multiple international shows.
Twelve years directing the show — and the marketing — for New York's premier typography and design festival, at The Cooper Union's Great Hall.
Open projectStadium-scale brand conventions built around a live main-stage show — designed and directed end to end, through install and handoff.
Open projectFarmasi's U.S. convention at Miami's Watsco Center — two concert-scale show days built on one holographic-prism identity, across the stage, screens, and branded activations.
Open projectA European racking leader's North American debut at MODEX Atlanta — a bold, graphic-driven booth, from first sketch to built floor.
Open projectA 5-acre immersive world in Miami — a 360° projection dome and a multi-room journey through the universe of the book, designed from concept to construction.
Open projectA Swiss lab-automation leader — one coherent brand across seven shows on two continents, turning complex science into instant spatial clarity.
Open project
I'm Waldo Tejada — a creative director and live-show director based in Brooklyn, with 25+ years directing live experiences: stadium conventions, conferences, trade shows, and immersive worlds. I take each one from the first idea to a show that's ready to run.
More about WaldoField notes on what actually makes live events work — budgets, lead time, and the decisions the audience never sees.

After twelve years directing one conference, the number that forecasts an event better than its budget: the lead time.
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When the number comes first, the show follows the number instead of the idea — and what honest direction prevents.
Read moreTell me about your event, your show, or the role you’re hiring for.
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